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課程名稱 |
透視電影
Film Inside Out |
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開課學期 |
102-2 |
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授課對象 |
文學院 外國語文學系 |
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授課教師 |
魏思博 |
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課號 |
FL3221 |
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課程識別碼 |
102E34160 |
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班次 |
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學分 |
3 |
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全/半年 |
半年 |
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必/選修 |
必修 |
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上課時間 |
星期二2,3,4(9:10~12:10) |
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上課地點 |
文20 |
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備註 |
限學士班三年級以上
總人數上限：20人 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
Course Description
Film Inside Out addresses a major problem of much film criticism, that of the absence of any thorough treatment, or even consideration, of the screenplay as part of the process. Only by understanding the complexity of the structure and intention of screenplays is it possible to offer a professional critique of any director’s work.
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課程目標 |
Course Objectives
This course contributes to a newly emerging area of Screen Studies that seeks to understand the role of the writer in the creation of film. It will equip students to understand the screenwriting processes, from treatments through to shooting scripts, to critique screenplays as texts in their own right and to critique film in more informed and useful ways.
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課程要求 |
Requirements:
Students must read the assigned primary and secondary materials in advance of class each week and circulate e-mail comments to their colleagues to enable more in-depth discussion during the seminar. Full participation in terms of attendance and contribution is a requirement of this course.
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預期每週課後學習時數 |
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Office Hours |
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指定閱讀 |
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參考書目 |
Assigned Reading and References:
References:
Secondary Texts:
Screenplays can be read at the following locations:
http://www.imsdb.com/scripts/Sense-and-Sensibility.html
http://www.simplyscripts.com/
You should also consult http://www.imdb.com/ for film-related
information.
Journals and Magazines:
Sight and Sound and Variety are available on-line from the N.T.U.
library link, where you will also find a broad range of international
Film/Cinema/ Movie journals.
Braudy, Leo and Marchall Cohen eds., Film Theory and Criticism, Oxford: Oxford University Press, 2004.
Cahir, Linda Costanzo. Literature Into Film. Jefferson, North Carolina:
McFarland, 2006.
Campbell, Joseph, The Hero with a Thousand Faces, Princeton. NJ : Princeton University Press, 1973.
Cartmell, Deborah and Imelda Whelehan, Eds., Literature on Screen.
Cambridge : Cambridge University Press, 2007.
Corrigan, Timothy, Film and Literature. Abingdon: Routledge, 2011.
Egri, Lajos, The Art of Dramatic Writing, New York; London: Simon Schuster, 1960.
Field, Syd, Screenplay: the Foundations of Screenwriting, New York: Dell, 2005.
Higson, Andrew, Film England: Culturally English Filmmaking Since the
1990s. London: I.B. Tauris & Co, 2011.
Howard, David, How to Build a Great Screenplay, New York: St. Martin’s Press, 2004.
Keane, Christopher, How to Write a Selling Screenplay, New York: Broadway
Books, 1998.
Leitch, Thomas, Film Adaptation and Its Discontents. Maryland: The Johns
Hopkins University Press, 2007.
MacCabe, Colin and Kathleen Murray, True to the Spirit: Film Adaptation
and the Question of Fidelity. Oxford: Oxford University Press, 2011.
McKee, Robert, Story, London: Methuen, 1998.
Mackendrick, Alexander, On Film-Making, New York: Faber, 2005.
Sanders, Julie, Adaptation and Appropriation. Abingdon : Routledge, 2006.
Scher, Lucy, Reading Screenplays. Hertfordshire: Kamera Books, 2011.
Stam, Robert and Alessandra Raengo, Eds. A Companion to Literature and
Film. Malden, Massachusetts and Oxford: Blackwell, 2003.
Whelehan, Imelda and Deborah Cartmell eds., The Cambridge Companion to Literature on Screen, Cambridge : Cambridge University Press, 2007.
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評量方式
(僅供參考) |
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